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M-F Plissart
REALISTRICE PRESENTE-EN 2014, REALISTRICE TOUS-EN 2014Born in Brussels, Marie-Françoise Plissart has been working as a photographer and filmmaker for the past 30 years renewing photographic narrative. She won the Lion d’Or at the Biennale for architecture in Venice in 2004 for her exhibition about Kinshasa stories.
L’HEURE DE LA LIBERATION A SONNÉ_Heiny Srour
FICTION -en, ZZZFILMES FICHES COMPLETES-EN 2014L'HEURE DE LA LIBÉRATION A SONNÉ
L'HEURE DE LA LIBÉRATION A SONNÉ
1974 | Fiction | 88′ | FR/UK/LI |vo AR st Fr
In 1965 a guerilla starts in Oman against the ex-colonial British power.
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Hajar Belkasmi
REALISTRICE PRESENTE-EN 2014, REALISTRICE TOUS-EN 2014Studied at ESAV-Marrakech (Maroc). Now works in film.
L’HEURE DE LA LIBÉRATION A SONNÉ
FILM RESUMES-EN 20141974 | Fiction | 88′ | FR/UK/LI |vo AR st Fr
In 1965 a guerilla starts in Oman against the ex-colonial British power. An uncompromisingly view of revolutionary movements in the Arab world, by the first Arab woman to be selected at Cannes Festival.
Adelaide Dunn, Zoe Ellwood + Olivia Lubbock
REALISTRICE PRESENTE-EN 2014, REALISTRICE TOUS-EN 2014Maria Mocpat
REALISTRICE PRESENTE-EN 2014, REALISTRICE TOUS-EN 2014Studied at ESAV-Marrakech (Maroc). Now work in film.
CINEMA VENDOME : DES ÉTOILES
EVENEMENTS-EN 2014DES ÉTOILES
Destinies cross between Turijn, New-York en Dakar. Migration seen as a constellation.
(Chaussée de Wavre 18., 18, 1050 Ixelles) http://egalitedeschances.ixelles.be.
Seance animée : EVELYNE AXELL : LA VENUS AUX PLASTIQUES
SPECIAL SCREENING-EN 2014EVELYNE AXELL : LA VENUS AUX PLASTIQUES
With Véronique Danneels (Art historian, Académie de Tournai, MRBAB)
HEINY SOUR : CINEMATEK
EVENEMENTS-EN 2014HEINY SOUR : CINEMATEK
Heiny Srour, pioneer of the Arab cinema, will present two of her films. Part of the historical narrative of cinema not to be missed.
(Rue Baron Horta 9, 1000 Bruxelles, 02 551 19 19)
TANDEM
EVENEMENTS-EN 2014TANDEM
Screening proposed by Muriel Andrin (ULB).
What happens when cinematographic representations are revisited by a male and female eye? There are many« pairs » in Belgian cinema. Is it easier to deconstruct gender?