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  SAT_27_09 | 16:30 | ROTONDE


VULVA 3.0

vulva3.0_zimmerman&richarz
VULVA 3.0
2014 | Docu | 79′ | DE | vo De st Fr Nl Eng |
The film begins in a dermatological surgery in Cologne. Bella Joy has her labia plumped up with hyaluronan and is very pleased with the result… Directors Ulrike Zimmermann and Claudia Richarz present their comprehensive and non-sensationalistic research into the history of the female anatomy from the 16th to the 21st century – from the risqué and at times the sad to the comical aspects – thereby celebrating the diversity of the female body.
 

quote 

Showing the vulva scares off bears and lions, makes wheat grow higher, calms storm tides and demons fear it. The devil runs away. Showing the vulva can save the world.” C. R & U. Z

 

 

 

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  SAT_27_09 | 16:30 | CINEMA


BECAUSE WE ARE VISUAL

 becausewearevisual_rochette&clae
BECAUSE WE ARE VISUAL
2010 | Documentary| 47′ | ARM | vo Eng Fr st Fr Nl Eng

In ‘Because We Are Visual’ Olivia Rochette and Gerard- Jan Claes immerse themselves into the world of public video journals. The Internet and its online communities intend to bring people closer together and to connect them. Yet, surprisingly, it seems that the virtual world confronts these so-called vloggers more than ever with their own loneliness. This documentary allows the viewer to discover this contemporary phenomenon and focusesvon the experience of the body within this virtual space.vBy means of visual material gathered from online sources, the cineastes create a unique poetic realm in which thoughts, fears, desires and worries, shared via the webcam, merge together.

 

 
 

 

 

  

 

 

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  SAT_27_09 | 21:30 | ROTONDE


CALYPSO ROSE

 calypsorose_obolo
CALYPSO ROSE
2011 | Documentaire | 85′ | FR | vo Eng st Fr 

An exuberant and inspiring ambassador for the Caribbean, Calypso Rose is the uncontested and much decorated diva of Calypso music. With more than 800 recorded songs, she continues to be a pioneer and champion of women’s rights, as she travels the world making music. Journeying to Paris, New York, Trinidad and Tobago and to her ancestral home in Africa, we learn more about Calypso Rose in each place, and the many faces and facets of her life. The daughter of an illiterate Trinidadian fisherman, Calypso Rose was sent to live with relatives in Tobago at the age of 9. At 15 she wrote her first song and launched a career that took her to the top of the male dominated calypso world. This creative film is not only about memory and the exchange and discovery of world cultures, but also about the journey of a remarkable woman, an Afro-Caribbean soul and an exemplary artist.

 
quote 

« Je ne suis pas devenue une chanteuse de Calypso, je suis née dans le Calypso » Calypso Rose.

 

 

 

  

 

 

PASCALE OBOLO

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  SAT_27_09 | 22:00 | CINEMA


ELEVAGE DE POUSSIERE

elevagedepoussière_VER_vanagt   ÉLEVAGE DE POUSSIÈRE

2013 | Documentairy| 47′ | BE |vo Eng  st Fr Nl 

What is the value of images as objective testimonies of a conflict? Can we believe what we see? In her new work, Sarah Vanagt turns her attention to an important chapter in recent European history: the International Criminal Tribunal for the former Yugoslavia in The Hague. The artist examines obstacles to reconstructing a war that is nevertheless well documented. She has started from a simple movement of the hand – a pencil being rubbed on a sheet of paper placed over an object – and adapted this “revelatory” rubbing process to the courtroom. The film Élevage de poussière / Dust Breeding offers a penetrating account of her exploration. Measuring the gap between the facts, the material proof of these facts, the images that represent them and their interpretation, she attempts to decipher the secret language formed by traces of war. Sharpening her eye until it becomes a microscope lens, Vanagt reveals a landscape of details inviting us to look at things differently.

 

quote 

“Something is past and something has yet to emerge and we don’t know what that is. But how can one already tell something”

 

 

 

 

 

 

 

 

 

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  FRI_26_09 | 19:30 | CINEMA


EN LA CASA, LA CAMA Y LA CALLE

 enlacasalacamaylacalle_miller
EN LA CASA, LA CAMA Y LA CALLE 
2013 | Documentary | 35′ | NIC/CA  | vo SP, st Fr 

Nicaragua, a female film crew decides to make a TV series about women’s lives.

 
 

 

 

 

 

  

 

 

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  SUN_28_09 | 16:30 | ROTONDE


EVELYNE AXELL : LA VENUS AUX PLASTIQUES

 evelyneaxell_levie
EVELYNE AXELL : LA VENUS AUX PLASTIQUES 
2013 | Documentary| 73′ | BE  | vo Fr 

Evelyne Axell was a Belgian artist whose work is only aknoweldged 30 years later. She was one of Magritte’s students. Her like, her beauty and her expression are linked. She was the first woman in history to paint herself naked, who dared expressing her desire through painting. The film follows the artist’s life.

 
 

 

 

 

 

  

 

 

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  FRI_27_09 | 14:30 | ROTONDE


LE QUATRIÈME MUR

 equatriememur_plissart
LE QUATRIÈME MUR

BE | Documentaire | 52′ | BE  | vo Fr st Eng 

At the heart of the urban transformation, the renovation of the Théâtrede Liège. A film directed by a well-known photographer.

 

 quote

“C’est ça aussi un film, on prend des risques, c’est une gageure. On se demande si ça va marcher, mais c’est un peu comme si on jouait au poker.”

M-F Plissart

 

 

 

 

  

 

 

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  SAT_27_09 | 22:00 | CINEMA


PERSONAL IMAGES : PERSONAL SEMIOTICS OF WAR

 personalsemiotics_hilcisin
PERSONAL IMAGES : PERSONAL SEMIOTICS OF WAR

2013 | Documentaire |10‘ | BOS/CZE | vo Bos st Fr Eng

“Personal Images: Personal Semiotics of War’ deals with my personal experience and memory of the war. It is an experimental video with documentary elements that presents parts of my collection of articles, diaries, letters, and photographs I was collecting during the war in Bosnia, from 1992 to 1995. The diaries cover different periods including the beginning of the war, police interrogations of my father, hiding in the basements, living without electricity and water, falling in love, separations, and wish to escape… The whole video also contains video footage of an intimate talk with my family discussing the dilemma and decision to remain in Bosnia during the war, as well as their emotional experiences of that period. The music used in the video was composed by my sister. I named the video ‘Personal Images: Personal Semiotics of War’ because it deals with the meaning of signs and language I was subconsciously creating as teenager during the war. It also deals with the language as such,broken communication, and letters as the only possible communication during the war, without phones or any other way of communication with the outside world.”

 

 

 

 

 

 

 

  

 

 

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  FRI_26_09 | 19:30 | CINÉMA


PLAYING WITH FIRE

 playingwithfire_papathanassiou
PLAYING WITH FIRE 

2013 | Documentary | 58′ | GR  | vo st Fr Nl

“Playing with Fire” is a documentary about the actresses in Afghanistan who are courageous enough to be involved with theatre arts and find themselves facing harsh criticism, social disapproval and even threats about their lives and the lives of their families. Acting has even caused a girl’s death in Kabul and many young actresses have been forced to flee the country. Anneta Papathanassiou, actress and director from Greece, visits Kabul to teach ancient Greek theatre and record the lives of Afghan artists, who try to combine art and culture under very difficult circumstances in this troubled country.

 

 quote

Women and Art can change the world!

Anneta Papathanassiou

 

 

 

 

 

 

 

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  SUN_28_09 | 16:30 | ROTONDE


ARMENIA : THE INVISIBLE COUNTRY

 armeniatheinvisiblecountry_ohanyan
ARMENIA : THE INVISIBLE COUNTRY
2013 | Documentary| 12′ | ARM | vo Arm st Fr Eng

Where is Armenia? Tampering with historical truth in London’s British Museum.

 
 

 

 

  

 

 

Mariam Ohanyan

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